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"Alas! you only make fun of me; such a thing would not be suitable for me at all.",

Around her car the pensive Hours,,

“Now you shall hear!” shouted Johnny, dashing into the arbor. “Just think! I was put up on the library table, and all the people came and shook hands with me; old Rolfsen began it, and he made a kind of speech for me; and Lars Berget wanted to shout ‘Hurrah!’ when we drove out. And if all this isn’t true, you may chop my head off.” Johnny Blossom’s eyes shone. He was tremendously in earnest.,

With one voice they denied the fact, and were resolute in persisting that they knew nothing of the person described. This denial confirmed Hippolitus in his former terrible surmise; that the dying cavalier, whom he had seen, was no other than Ferdinand, and he became furious. He bade the officers prosecute their search, who, leaving a guard over the banditti they had secured, followed him to the room where the late dreadful scene had been acted.

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She shrieked, and fainted. On recovering, she found herself supported by Ferdinand and Hippolitus, who had stolen this moment of silence and security to gain admittance to her presence. Hippolitus came to urge a proposal which despair only could have suggested. 'Fly,' said he, 'from the authority of a father who abuses his power, and assert the liberty of choice, which nature assigned you. Let the desperate situation of my hopes plead excuse for the apparent boldness of this address, and let the man who exists but for you be the means of saving you from destruction. Alas! madam, you are silent, and perhaps I have forfeited, by this proposal, the confidence I so lately flattered myself I possessed. If so, I will submit to my fate in silence, and will to-morrow quit a scene which presents only images of distress to my mind.',

Everything had to be so proper to suit Father.,

Meanwhile a circumstance occurred which increased the general discord, and threatened Emilia with the loss of her last remaining comfort—the advice and consolation of Madame de Menon. The marchioness, whose passion for the Count de Vereza had at length yielded to absence, and the pressure of present circumstances, now bestowed her smiles upon a young Italian cavalier, a visitor at the castle, who possessed too much of the spirit of gallantry to permit a lady to languish in vain. The marquis, whose mind was occupied with other passions, was insensible to the misconduct of his wife, who at all times had the address to disguise her vices beneath the gloss of virtue and innocent freedom. The intrigue was discovered by madame, who, having one day left a book in the oak parlour, returned thither in search of it. As she opened the door of the apartment, she heard the voice of the cavalier in passionate exclamation; and on entering, discovered him rising in some confusion from the feet of the marchioness, who, darting at madame a look of severity, arose from her seat. Madame, shocked at what she had seen, instantly retired, and buried in her own bosom that secret, the discovery of which would most essentially have poisoned the peace of the marquis. The marchioness, who was a stranger to the generosity of sentiment which actuated Madame de Menon, doubted not that she would seize the moment of retaliation, and expose her conduct where most she dreaded it should be known. The consciousness of guilt tortured her with incessant fear of discovery, and from this period her whole attention was employed to dislodge from the castle the person to whom her character was committed. In this it was not difficult to succeed; for the delicacy of madame's feelings made her quick to perceive, and to withdraw from a treatment unsuitable to the natural dignity of her character. She therefore resolved to depart from the castle; but disdaining to take an advantage even over a successful enemy, she determined to be silent on that subject which would instantly have transferred the triumph from her adversary to herself. When the marquis, on hearing her determination to retire, earnestly enquired for the motive of her conduct, she forbore to acquaint him with the real one, and left him to incertitude and disappointment.,

“But how did you get it?”